Erik's Rant
 

December 27, 2007

Oscar Peterson, R.I.P.

This morning I heard the news that the great Canadian pianist Oscar Peterson died on Sunday. He was 82 and had suffered from strokes in recent years.

Whenever I am asked to list my favorite jazz records, Oscar Peterson somehow manages to show up on at least three:

1. Louis Armstrong and Ella Fitzgerald (the best jazz record ever made), which features Oscar Peterson and Buddy Rich
2. Stan Getz with the Oscar Peterson Trio
3. The Oscar Peterson Trio, Night Train

His treatment of Porgy and Bess on the clavichord (a Pablo Release), is one of those records that at first is so unusual that it almost seems a novelty, yet on subsequent hearings reveals a deep musicality and subtlety (the clavichord is the only keyboard instrument with natural vibrato).

Oscar Peterson was a classically-trained pianist who refused classical gigs because the standard amount of rehearsal for an orchestra was insufficient to reach the musical heights he demanded. His drummer-less trio, with the solid discipline of Herb Ellis and Ray Brown was more to his liking.

One music critic (I think it was Burgess), pointed out that Oscar Peterson was really sort of an anti-pianist, because his Mozart-influenced crystaline lines were a refutation of sorts of the Romantic tradition, and that is probably right. Peterson did not use the damper pedal. He had no interest in blurring and over-emoting and all that bag of crap that the Van Cliburn sorts trot out as they vulgarly gush over the "Rach 3". Peterson's music is a more classical music, a more refined music. He stressed melodic inventiveness and the age-old quest for diversity within unity, over the desire to hit the listener over the head with emotion, which is the unfortunate direction that the piano has gone in since the days of Schubert and that prissy Brahms.

Oscar Peterson was also a political conservative, who enjoyed waterskiing with his family. He was a brilliant conversationalist, well-read, and a natural leader, which is essential when working with the likes of Buddy Rich and Stan Getz. The jazz world has lost one of its greatest ever.

Posted by erik at December 27, 2007 10:56 AM
Comments

I certainly agree with him as behind Tatum: everyone, classical and jazz, n the recorded universe, was behind Tatum. When I hear Art Tatum I have some inkling as to what it must have been like listening to Mozart or Chopin.

Now we get to Bud Powell. If he wasn't one notch above Peterson, he is certainly tied. I will have to think about that some more (and it will give me an excuse to sit and listen to hours of Bud Powell and Oscar Peterson).

Posted by: Registered User at December 31, 2007 9:50 PM

Erik-I linked to your Oscar post as the pro and another site as the con on Oscar. It was interesting that the anti-Peterson guy thinks Oscar always played explosively. On WRTI in Philly the DJ last night played quite a bit of very restrained ballad playing by this giant.

I would rate Oscar as number three all time among jazz pianists, after Tatum and Bud Powell.

John

Posted by: John salmon at December 31, 2007 11:04 AM
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