February 26, 2007
Music, Art, Family, Lent...
This is a catch-all post of stuff that I should probably write more carefully, but if I worry about that, then I will write nothing. The order of the title is wrong, but I like the ring it has, so it stays.
The reason that I do not have time for more thoughtful, conversation-provoking posts is primarily family. Melanie is preparing for surgery on Thursday, and we have to get everything in order. While it does, as I mentioned earlier, seem to be routine surgery for something that has a 95+% chance of being benign, it is major surgery requiring general anesthesia, a significant hospital stay, and an abominably long recovery. Prayers are still appreciated.
Also, I have to put my priority on time in the studio. I am working on two paintings simultaneously, photographing art, writing material for the up and coming website, etc. So, while I still would really like to get some works on paper posted this week, if I don't get them up on Tuesday, they will probably have to wait for a week. We'll see.
And then there is Lent. Part of my Lenten penance is giving up naps, which is a way of reducing late nights, which have a way of destroying time (oh - I can do that late at night, so I can fritter away more time on this or that less-than-productive thing, which I really cannot afford to do). While I love working late at night, it will not do right now.
I alternate between hating and appreciating Lent and really liking Lent. There is something good about recognizing the goodness of things in their absence. Naps for instance. I know, one should probably keep the exact nature of their penances closely guarded, but I owe my readers an explanation of why I not providing the content that they have come to expect. So, there you have it: dealing with my own spiritual wreck is more important than providing you with good content. I know, it is not fair. You want fair? Carnival was last week.
So, music. For some reason I have been mostly interested in listening to electronic music these days: all sorts of stuff from avant-garde mid-20th century explorations to dub reggae to Italia Novo Techno-Folk. No matter what it is, I want lush synthesized atmospheres, odd electronic percussion, blips and beeps and sweeping oscillators.
I always like this stuff, but it has been at the top of my playlists at a more than usually high rate. Is it the weather? I don't think so, since I like to listen to this stuff in the languid summer nights, too, unless it is some sort of denial (I am wearing a Hawaiian shirt as I type). I am also much more interested in high modernist art and architecture right now: glass and steel and even stain paintings. And lights. I keep thinking about lighting, both functional and atmospheric.
If you see me walking around in a jumpsuit humming Kraftwerk, well, it will pass. It always does.
So, here is where I am letting you down. I should ruminate on electronic music, its peculiar structures and evolution, its history and direction, etc. You know, get the ball rolling. But no. I am going to leave this as a provocation and let you do all the work.
Posted by erik at February 26, 2007 12:18 AMWell, what a happy accident. I picked up some PAC at the store the other day. In my reading I've come across a number of artists who don't like to use black, which I've always liked. I suppose there's a good reason for it, perhaps a belief that that color doesn't actually appear in nature. Anyway, I completed this latest (a simple landscape with mountain, water, trees, grass and rocks) using a five color palette. It was a very beneficial color mixing learning experience. You'd think there'd be a limit to how much of that you can do, but I ain't found it yet.
Posted by: William Luse at February 28, 2007 2:34 PMIt's that fishy smell. Or the way light reacts off them, which is much more complex than with acrylic, although I have heard that you can add stuff to acrylic to make it have the same cool interaction with light. Dunno. Too much work. I'll stick with oils, thank you.
Be sure to experiment with permanent alizarin crimson (you can mix it with pthalo green for the most beautiful, rich black you have ever seen).
Posted by: Erik Keilholtz at February 27, 2007 9:17 AMGive your wife my good wishes.
I'm working on my second oil painting, after an acrylic interlude. Acrylics are great, good and nice. Wonderful. But... there's something about oils. I'm getting addicted; as soon as I've figured out why, I'll let you know.
Posted by: William Luse at February 26, 2007 11:21 PMPrayers for Melania, Amalia and you with hopes you'll all hear lots more Kraftwerk in the decades ahead.
Posted by: Gregg the obscure at February 26, 2007 3:52 PM